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Classed as one of the greatest feel-good films in recent British Cinema, 'The Boat That Rocked' is one of those films that could have easily been missed upon its release in cinemas. This is a charming narrative set in 1966, about the adventures of a tight-knit group of Pirate Radio broadcasters aboard a rundown vessel anchored in the North Sea, and their battle with the establishment to keep Radio Rock afloat. The obvious comparison, or focus of inspiration would be the real events of well-known Pirate Radio broadcasts from that era such as Radio Caroline, so we'll get that out of the way. It should be made clear that this film is in no way a historical account of such movements faced by Radio Caroline et al.
This film has a brilliant comedy cast, including the talented Rhys Ifans, Chris O'Dowd, Bill Nighy and of course Nick Frost. They are also joined by Philip Seymour Hoffman as the American DJ aboard the boat who brings many an excellent moment as The Count (I still can't look him in the eyes after 'Boogie Nights'!). What follows is a great film which will make you laugh out loud, feel very sympathetic, and at moments laugh out loud when you should really be feeling sympathy (Thanks to one particular scene; a conversation between the newlyweds aboard the boat... Maybe that was just me, I can have a bit of a sick mind!). Ultimately though, this film fills you with a warm glow and makes you appreciate that some talented people within the British Film Industry can produce such a fine specimen.
On a personal note, I was born towards the end of the 1970's, but always wished I was around to enjoy the 60's (obviously for the culture, not the mind bending sex and drugs experiments of that era - in case mother is reading!!). Straight away, as soon as the film begins, you realise that you are in for a musical treat as well as a great cinematic experience. Featuring one of the greatest 60's playlists in its soundtrack, you just know that this is a construct of people passionate about Rock music. There was a rebellious charm about the music, something that just has not been replicated since. Tracks by The Box Tops, Jimi Hendrix, The Who, The Kinks and many more add a nostalgic feel to this film that is actually quite strange, when you realise you are not old enough to feel nostalgic (Unless you obviously are!).The cinematography adds to this also. You can just imagine Britain in the Summer of 1966; long, warm, lazy days out in the park or by the beach. Hanging out with friends, listening to the radio blasting out song after great song, and hoping the Pirate Radio DJ uses the F-word live on-air. England on the cusp of winning the World Cup, The Beatles "achieving Jesus-like status", and I'm pretty sure a cold beer tasted sweeter then too (certainly cheaper!). These are all things that come to mind whilst watching this merry band of men (and lesbian, as one character constantly reminds everyone!) jostle and banter with each other, and the yellowish/orange toned cutaways of their captive audience up and down the UK enjoying their broadcasts.
In contrast, you have the British government being represented in such a bland, grey manner. Black suits and ties, white starch collared shirts, neatly Brylcreemed hair and NHS specs! This was the 'square' establishment battling with the gang of 'outlaws' everyone adored. You still found these enforcers quite amusing as you see the lengths at which Sir Alistair Dormandy (played by Kenneth Brannagh), and his subordinate Twatt (Two T's!) would go to bring about the downfall of such morally corrupting behaviour.
A film about struggle, love, despair, respect and of course Rock n' Roll; its climax leaves a smile on your face and nostalgia on your mind!
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